Finding Value In World War II Military
Posters
By Eric H. Roth
Military
posters played a critical role in motivating Americans to do their
best and make sacrifices, of all kinds, during World War II. The War
Department, the Red Cross, General Electric, the Stetson Hat Company,
and dozens of other organizations created thousands of patriotic posters
to mobilize public support. Poignant, colorful images on paper were
created and distributed to build support for revenging Pearl Harbor,
protecting American families, selling war bonds, conserving fuel,
increasing factory production, promoting democratic ideals, growing
vegetables, expanding the workforce and keeping secrets.
The
propaganda war, before television and the Internet, looked - and maybe
worked - best on posters. Wartime posters, often printed in runs of
10,000, were designed to be used once, understood in 20 seconds, displayed
for a few months, and thrown away. The few remaining posters, often
created by skilled artists and illustrators, have become historical
artifacts. Museums, scholars, collectors, veterans, - and increasingly
baby boomers - celebrating these wartime images for their sociological,
aesthetic, and historical value. World War II posters have become
hot commodities and very collectible items.
"The
Posters That Won the War", a cyber exhibition at by the Chisholm-Larsson
gallery tells the story and highlights 50 WWII original posters. "The
production, recruiting, and War Bond Posters of WWII were 'America's
weapons on the wall.' Millions of posters of hundreds of unique designs
cascaded off the presses and unto the American landscape, raising
hopes in the dark days after Pearl Harbor and convincing folks on
the homefront that their efforts were the key to victory. Today, the
relatively few posters that remain are a colorful, nostalgic, and
highly collectible snapshot of America at war.
"
Robert Chisholm, the owner of Chisholm-Larsson gallery in New York
City, counts 627 different original WWII posters in his huge collection
of 24,000 plus posters. "Whatever your budget- from only $150
or if you have $600, you can find a WWII poster," said Chisholm.
"Ninety percent are $400 or less." Forbes Magazine gave
the impressive website its "Best of the Web" designation
noting visitors can find "World War II-era political posters
by Ben Shahn ($600-$1800). The Chisholm-Larsson Gallery boasts "the
largest collection of individual posters outside of institutional
collections."
The gold standard for collectors WWII vintage posters, however, remains
the Meehan Military Posters catalog. "The only organization in
the world," according to the company's literature, "devoted
to providing original, vintage posters of the two World Wars and Spanish
Civil War to collectors, museums, decorators, and investors."
Meehan Military
Posters, divides WWII posters into ten distinct categories: pilots/planes;
recruitment; conservation; espionage; nurses; foreign aid; war production;
morale; and foreign on its searchable website.
Each
color catalog, published twice a year, contains thumbnail size reproductions
of hundreds of original military posters from "nearly all combatants
in both World Wars." A concise description describes the background
of each poster, noting the artist, year of publication, size, condition,
and price. The catalog costs $15, but many collectors and dealers
consider it an essential investment. "His prices are very good,"
observed a West Coast competitor, Burt Blum, owner of the Trading
Post in Santa Monica and lifelong dealer in vintage magazines and
posters. "He (Meehan) must have excellent stock. Those prices
are very fair."
Fair
should not be confused with cheap. "Today an expensive WWII poster
can command as much as $4,000 or $5,000," declared Meehan. "A
German poster designed and drawn by the great German poster artist
Ludwid Hohlwein could easily be in that range." Meehan catalog,
#36, features many rare, expensive, and fascinating wartime posters.
A pair of posters, designed by Melbourne Brindle, graces the front
and back covers. The first haunting image shows a sinking ship, printed
by Stetson Hats Company. It warns: "Loose Talk Can Cost Lives!...
Keep it under your STETSON." The second dramatic poster of a
sunken Merchant Marine ship beneath a German U-Boat, with the words
"Careless Talk did this... Keep it under Your Stetson" sells
for $2750.
The
pricey Stetson poster illuminates a common theme of many World War
II posters: the dangers of espionage and careless talk. "Silence
- means security. Be careful what you say or write", by illustrator
Jes Wilhelm Schlaikjer, in 1945 shows a night patrol infantryman walking
in the Pacific. The Meehan catalog sells it for $325. Other military
posters, more available and by less well-known artists, such as 1943
"This Many May Die if you talk too much", featuring a handsome
sailor looking through a porthole, and the 1944 "We Caught Hell!
- someone must have talked" sell for $145 in the poster catalog.
These poignant posters place clear responsibility for the safety of
sailors and soldiers on the silence of civilians and fellow servicemen.
The vast majority of Meehan poster sales continue to be American WW
II posters that sell for under $400.
Almost
the entire 'Loose lips sink ships' poster series has become quite
collectible. An excellent example, according to veteran poster dealer
Gail Chisholm, shows a hissing snake surrounded by the words 'Less
Dangerous Than Careless Talk" which she sells for $330. The easy-to-use
Chisholm
Gallery website, includes a wide selection of World War II posters.
"There are also a lot of great and amusing posters against Careless
Talk," such as "Keep Mum, She's Not So Dumb," observed
Robert Chisholm, Gail's brother, neighbor, and friendly rival poster
gallery owner.
"Powers
of Persuasion: Poster Art of World War II", a popular exhibit
at the National Archives Building in Washington D.C. from May 1994
to February 1995, emphasized the two psychological approaches used
to motivate Americans: pride and fear. "Words are ammunition,"
said a Government Information Manual issued by the Office of War Information
in the exhibit. "Each word an American utters either helps or
hurts the war effort. He must stop rumors. He must challenge the cynic
and the appeaser. He must not speak recklessly. He must remember that
the enemy is listening." An online exhibit culled from the museum
show, features 33 posters, 1 sound file, and some background historical
information.
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